Humbucker Telecaster (Blacktop) Turned Baritone Guitar

I had gotten the Blacktop Telecaster because the humbucker pickups, particularly the neck pickup, gave it a good clean round ‘O’ sound, much like the thin single pole pickups in the Jazzmaster. Well, I already have a Jazzmaster, but the problem with the Jazzmaster is that, with a shade too much enthusiasm, you can whip the strings off the tailed bridge (the trade off for the inconvenience of a trailed bridge, is that at certain intervals the strings have a nice swelling flare, although steals a bit from sustain).

Anyway, the Humbucker Telecaster seems like a kind of best of both worlds kind of instrument – nice clean round sound from the pickups and strings that you can get rough with without scaring them off the bridge.


Anyway, I bought it and as I was leaving the Shop, the owner of the place asked me if I thought of ‘baritoning’ it. You see, he was familiar with me going from Violin to Viola (a viola is a violin that goes lower than a normal violin by one string interval), and tuning up a step on my Fender Jazz Bass, to keep the D’addario Light Flats tight (The D’addario strings were designed for 36” Scale but the Fender Bass is a tad shorter and so taking the strings up a notch would simply keep all things more or less even). Oh, and with guitar he knew I was going from the traditional E, A, D, G, B, E tuning to E, A, D, G, C, F, that is, to keep the strings at Perfect Fourth (5 step) intervals (they only tune up the B and E strings to make chording easier for short fingers… no other reason). Anyway, the shop owner had every reason to suspect that I might try some tuning change with this new telecaster, and was simply curious about it. Well, actually, I hadn’t thought ahead that far, but it gave me the idea.

Yes, they do have ‘Real’ baritone guitars – acoustics that are built on a longer scale, because, well, with acoustic guitars it is the actual physical dimensions that resonate with and support the sound of the strings. But with electric guitars and their pickups, physical dimensions are no longer so essential.

But converting the Telecaster to Baritone would require an extra big fat string that I could tune down to B. I looked around and found that D’addario makes a set of strings for 7 String guitars – “Jazz Light/ 7-String”, ECG24-7. They were all a bit fatter than what I am used to (D’addario super light Flats), but, checking with D’addario’s String Tension Chart, they would be usable, even with me tuning up the last two skinny strings, to preserve the perfect fourth (five step) intervals. So I ordered some strings. I actually ordered two sets, from different suppliers, Wiener Music, through Amazon, and Just Strings, hoping that one would come before the other. Wiener Music won. I’m still waiting for the Just Strings set to come through, but they did email me with an apology, as there had been some kind of delay.

Oh, with using a much fatter string in the old Fat E position, and using larger strings in every position, really, I would need to enlarge the groves in the Nut up at the top of the neck. So I bought one of those Nail Files with crushed industrial diamonds… which look a lot like sand.

Meanwhile, I played the ordinary tuning, for me (E A D G C F) for a week. I even had an All Nighter Practice to get acquainted with the new instrument and its new sound.

When the strings came in, I got out my Jewelers Loupe and worked the Nut with the fingernail file until the notch sizes seemed suitable for the new fits. The new strings went on without event. The strings were a bit stretchy and required a lot of retuning between songs, but only for the first evening. They settled in after a day.

Oh, the intonation was effected. But Intonation adjusts on this Telecaster are easy – just detune the strings until you can push back the bridge block with your finger, and then just take up the slack by tightening up the screw that goes through the spring. It took a lot of adjustment… more than a quarter of an inch… the Fat B String going back almost to the ‘wall’, but alls well that ends well. I suppose the intonation adjustment was necessary because I went to higher tension strings, and not so much because they were simply fatter strings.

The ‘Bulldog’ Telecaster sounds great. Sacrificing the high E string for the low B seems like a wonderful trade-off. Just like going from violin to viola, or from a 4 String Bass to a 5 String. One loves going lower but, in the case of the Viola and Bulldog Baritone Guitar, doesn’t miss the shorted higher reach at all… to go high you can just work down the neck a bit further than usual.

Its funny, the strange phenomena whereby one gets used to an instrument’s range. When I was still playing an old 4 String Precision Bass, I wondered why anybody would ever need a 5 String, as it seemed every song could be done without going up past the nut of the 4 String’s E String. I thought the same about my violin’s G string. I play by ear, and so apparently the first thing my brain does is organize riffs and arrangements according to available range. But after five minutes with the new Range, one wonders what one ever used to do without it.

When I first got my 5 String Jazz Bass, I read on line some guy that was saying that the “common mistake” new 5 String owners make is that they play their new Fat String too much. Well, that’s not really a mistake, is it? For instance, if you have an old dog who has been kept in the back yard its whole life, and then you decide to add the side yard to his enclosure, well, where do you suppose the dog will go at its first opportunity? Of course it will sniff out its new territory. So spending a lot of time, at first, in one’s new Range is not such an odd thing for an old musical dog.