So Arabs Want Democracy

We are being told that all the Arab Protestors want democracy. Really? The fact is that the Arab World enjoyed something like a ‘baby boom’ that has now grown up, kicking up the adult unemployment rate at exactly the same time as the World Commodities Price Crisis is shooting up the prices of Food and Fuel, throwing Economies into a New Recession before they had even begun to recover from the Old Recession. And the People, grasping for any straw, grasp for Democracy.

But would Democracy help? Well, they should read a few newspapers and see whether Democracy has been much help in America, in Europe, in Asia. These Economies are in just as much trouble, and if they are better positioned than the Arab Economies, it is only because they started out with more, having been successful Colonial Powers, before the Anarchy and Insanity inherent in Democracy made them fumble that card with a series of self-inflicted World Wars.

Democracy won’t bring jobs. China has more jobs than anybody, and they aren’t democratic. It’s the security and stability of their Authoritarian System that has attracted the capital that established so many jobs. America, the primary Torch Bearer of Democracy, has lost jobs.

There is one tactical advantage to Democracy. People don’t protest. They simply complain about the Party presently in Power and in the next Election, they vote for the other side. Democracy is a hypnotic Shell Game. Let people complain, and let them vote for the Other Guys. The problem is, the Other Guys are never much different from Original Guys. The Same Money nominates them both.

The Propagandists for Democracy emphasize the People’s Power to Vote. What they never mention is that the People are no where near being around when Candidates are picked out by the Powerful Few who pick the candidates, fund them, lay out their Media Plans, etc. The People only get to Vote for the Show Dogs that had already won the most important part of the Game – getting the Un-Official but all-important Nod of Approval. The Vested Interests run everything within Democracies. Yes, there may be sometimes crazy fringe minority parties, but they are hardly an improvement on the typical Oligarchy and Rule by the Rich, who may be selfish but are at least sane.

If the Arab Protestors and the Truly Disaffected, and not just opportunistic troublemakers in the pay of the Americans, really wanted to improve their lot,then they would want productive Governmental Reform. Not Democracy, but a Meritocracy, and a Bureaucracy that operates transparently. Do you want to be in Government? Then take the Civel Service Test. Do you want to stay in Government, then submit to the strictest Financial Audits. It would create Government that would be truly and effectively independent of Vested Interests and Foreign Influences, that is, Money.

Or you can do what the West does – vote vote vote vote vote, and nothing ever gets any better. Not only is it that the wrong people get elected, but that most Democracies had been intentionally designed to be institutionally weak and ineffective -- the euphemism they use is "checks and balances" but it simply assures that nothing important can ever get accomplished. The Rich and Powerful had stepped in from the very beginning and assured that Government would never be anything they would ever need to worry about.

So if you are willing to die for Democracy, just think of all the Rich People in the World, sitting with their feet propped up on Democracy, who are laughing at you. And they just can’t wait to kick their feet up on your Country too.

Neil Diamond “Dreams”

Timothy Yap did an excellent review of this album’s content, so I can do him the honor of not simply repeating the same message –‘less is more’ and all a very beautiful presentation.

But it needs to be said that Neil Diamond was the Producer on this project. My God! That is where he really shined!

Yes, the presentation did seem stripped down, but when one listens closely and repeatedly to this beautiful collection, well, the individual performances and the arrangements are genius. Now, that is what a producer does with a checkbook and a telephone, that is, if he is a great producer. Neil Diamond got the absolutely best people – the violin in “Blackbird”, the horn section in “Don’t Forget Me”, and the very heavy piano we hear throughout the entire repertoire. And all the studio time it must have taken. It was probably a considerable expense.

The Production Standards are some of the best I’ve ever seen. They remind me of the Rod Stewart ‘Great American Songbook’ collection, over the years finally getting up to Volume 5, which is really good, but they all have their merits, chiefly in the area of production values and standards. Great people were brought in and allowed the time to do their best work. And you can hear the fun they had making it.

I certainly hope that Neil Diamond’s “Dreams” is successful, or at least that it breaks even financially. Neil Diamond must have worked hard and found it very tiring, at his age, but at the same time, work of this quality is rewarding in the spiritual sense. So, if he is not financially ruined by this first installment of “Dreams”, then maybe, like the successful Rod Steward Series, we will see more of these superb collections from Neil Diamond. The titles will be fun – “Keep Dreaming” is one suggestion. Let the Old Man retire? Certainly not! There is plenty of time to retire when he is dead. If we buy these Dreams, he will keep making them because he is fulfilled by it.

And we do so much need collections of the Best. The Singer Songwriter era of music gave us so many wonderful songs, but they were only the tip of the iceberg of almost endless crap. To find the good songs, we had to suffer thousands of songs that the record companies foisted upon us. It’s the way Capitalism perverts things – original copyrights make more money, theoretically, than beautiful songs in the Public Domain, so the Capitalists wanted plenty of original copyrights – a new song every minute, but so few of these money grubbers had any true instincts for quality and culture and so most songs suck. So we were all submerged in this virtual landslide of garbage, yes, with a real potato here and a real carrot there, but mostly just garbage. The singer-songwriters were put under contract to produce, and produce they did, mostly bland stupid or eminently forgettable songs. That is why Greatest Hits albums sell so well, it is because people came to distrust ordinary albums, mostly stuffed with filler… songs nobody could possibly have been happy about, but simply produced to keep the Stupid Mindless Capitalists happy. Even most Greatest Hits albums are mostly filler. Honestly, most of the Singer Songwriters of this Era, had maybe one or two real ‘hits’ – songs that deserve to be remembered. One Hit Wonders. Any songwriter that has 3 or more actually good songs to their credit, should be honored with a ticker tape parade and a hero’s pension for Life… free coffee at Starbucks, etc. So, most Greatest Hits records should have only two or three selections. What purpose does it serve to roll out the filler garbage one more time in even their Greatest Hits Albums. It only tends to spoil the meal.

So it has become so hard to listen to any album from beginning to end nowadays. That is perhaps the most ascendant virtue in Neil Diamond’s “Dreams” , that every song is good, and one needs to skip over nothing.

So we do need Collections of the Good Songs. And it is good that one of the best Singer-songwriters of our Age uses his other considerable talents, the knowledge and taste he has acquired over the years, to give us not only the Best there is, but the Best that it can possibly be made to be. He takes the best and makes it better. We need to throw that man a parade… and buy his record.

Oh, a personal note on Neil Diamond. It’s odd, considering the body of his work, that he was never considered in the very top rank of the ‘Stars’. Maybe he wasn’t grungy enough, or he should have started off in a band. But he was always considered a fraction of a level down. Well, it didn’t keep me from buying his records. Indeed, there was a strange phenomenon that persuaded me to keep my mind open about the exact merits of Neil Diamond. I’m an amateur musician and my first love is the violin. Well, I NEVER break strings, that is, except when playing along with Neil Diamond’s “Holly Holy” . The song just builds and builds and builds, and one finds oneself scrubbing and sawing the violin like never before, trying to keep up with the building intensity. So, two or three times Neil Diamond has sent me to the store to get new violin strings. Nobody else. So when people criticize Neil Diamond… well, the Beatles never caused me to break a string… The man knows how to do a song.

Problems with Democracy

With the World now facing so many very serious problems, it is demoralizing to realize that nothing can be done about them. You see, most of our problems have been brought to us by the various special interest groups – Capitalists, Marketers, Military Industrialists, etc – and only Governments with the Power and the Will and the Ability to counter such special interests could ever hope to rein them in and advance any positive program to save the World. But most of the most powerful nations on earth are Democracies, and Democracies have almost entirely defined themselves as the Vehicles for the Special Interest Control of Everything.

Of course, Special Interests do not have an absolute hold on Politics. Racism and Ethnic Identity also fit in. Woodrow Wilson, who was a Professor of History before he became President, had issued a Theory that Democracies resolve into Ethnic Self-Determination, and so the Rise of Nazism and all subsequent Ethnic Pride Parties had been predicted. Remember that in the parlance of Politics, Ethnic “Pride” is just another name for what we understand to be racial hate and prejudice, or the distinction is meaningless as to whether they just love themselves more, or just hate everybody else a great deal, as the end results are divisive politics and Democracies that fail to represent Minority Groups, or Split Majorities – when a Majority Ethnic Groups divides along real political issues, allowing a Hate Group Minority Party to capture an election.

Anyway, even in such cases where Ethnic Parties come to power independently of Special Interests, the Special Interests are usually able to sweep in afterwards and make enough contributions to the New Power Structure to bring them onboard and at one with the Special Interest World. Those who don’t are isolated by Sanctions. For all of the love we hear about for Democracy, it only applies for those nations and people who vote in accord with the Special Interests. Palestine, Iran, Venezuela go their own way and so are treated as though they are enemies.

While Ethnicity does a great deal in distorting Democracies in their role of providing impartial and independent Governments, still, the much greater problem is with Special Interests.

How do the Special Interests control Politics and Politicians? While outright bribes are still nominally illegal, the Lobbyists have made a science of finding myriads of legal avenues through which money can go from the pockets of Special Interests to the campaigns of Politicians. Indeed, that brings us to the Paradox of Campaign Finance Reform, that it so entangled Campaign Finance Law, that now nothing in Politics can be done without the Lobbyists, as they are the only ones with enough money to hire the legal teams sufficient to keep everything straight.

Years ago there had been a fad about Term Limits – the idea being that if a Politician only ran once, he would have no incentive to sell his soul to the Special Interests. Well, what then occurred was that nobody could enter into politics as a career, and so very few truly independent people ran for office, if any, and this allowed the Lobbyist Firms to run their own people – good looking young men and women who could read a speech and do what they were told. And after their Term of Office, they could return to the Lobbying Firm they came from, with a big raise in salary. All legal.

Even if the Special Interests do not apply their monies directly to the different campaigns, they can still operate by effectively buying up Media Influence. Newspapers and Networks claim to be independent, but, really, their advertisers must exercise a great deal of influence. Or the Media Owners are so wealthy in their own right, that they are their own Special Interest, pulling the strings for whatever whim entertains their fancy, as for example, drumbeating the World to War, because Wars make the News so much more fun to print for the Media Tycoons.

But even if Special Interests, the Media and Ethnic Hatreds and Pride could be isolated away from that much of an effect on the World Democracies, still there would be one more annoying factor to deal with, and that is that Democracy does nothing to guarantee the abilities of those who run for office. Good looking people who can read a speech and make promises win elections all the time. Some of the stupidest people on earth do rather well at Politics, George W. Bush, being the first example to come to mind.

Really, what the World needs now is a Bureaucratic Meritocracy – Professional Government open to anybody who can Pass the Test. No Campaigns and no Campaign Contributions, and no Job Jumping from Government to a Special Interest Corporation – these measures would curtail most every evil from the Special Interests. Government workers would have to be in it for Life, or at least never be allowed to work for anybody or anything he had anything to do with while in Government Service. Money and Property of Government Workers would have to be monitored to assure that there was no trading of influence. This would give Government the Independence and Intellectual ability and integrity to Save the World, even while the Special Interests do all they can to destroy it, if that is what they think gives them a stronger return on their Capital for the upcoming Fiscal Quarter. Yes, they don’t mean to destroy the World… that is not even what they are thinking about.

It’s the Job of Government to think about the things that Special Interests have no interest in thinking about. And only a Bureaucratic Meritocracy could be fit for such a Job.

Turning a Jazzmaster Into a Baritone Guitar

I had bought one of the new “Blacktop” Telecasters and converted it to Baritone by stringing it with the 6 heaviest strings of a set of D’Addario Jazz Light Seven Flats. It was easy, I just had to get a fresh stone-encrusted finger nail file and widen the Nut slots a bit. The Telecaster, with its Humbucker pickups was perfect for the new application. The Telecaster as Baritone, has these really nice round and clean tones.

But it was so good, that I wondered what I was to do with my Jazzmaster. The Jazzmaster, as it is, is thin on the high side … I had to adjust up the pickups on the high side, and tweak up the sound system equalization to help out the high notes. Perhaps it would be better to “bulldog” the Jazzmaster too, that is, to turn it into a Baritone Guitar and forget about the High Side by simply eliminating it

When I decided to “Bulldog” the Telecaster, I had ordered the D’Addario Jazz Light Seven Flats from two different venders, on the chance that I’d get one set sooner than later. You see, I play violin and bass too, where the strings are relatively expensive, and so the cost of guitar strings seems like nothing in comparison. Anyway, the second set of D’Addario Sevens came in today. It made me think of putting them to use.

I looked over the Jazzmaster. Convertering it to Baritone would be a bigger job than the Telecaster. Not only would I have to widen the Nut slots, but there was the Bridge Slots to deal with. And the Bridge was made of medal.

But when I cut off the old strings and just removed the Bridge simply by lifting it off the keeper pegs, I saw that the Bridge Slots were not even differentiated – they are all just the same size little “Vees”, that the strings could settle into – one size fits all. Well, that seems to be why the Jazzmasters have their famous Problem, that vigorous picking or even finger plucking, knocks the strings off their bridge seats – the bridge slots are too narrow, and ‘V’ shaped – the strings just slip up the slant with the least little sideways force.

Converting the Jazzmaster to Baritone would ‘kill two birds with one stone’; I could lower the range more into its natural bandwidth (it likes Low Notes better than High Notes), and I could work the Bridge so that it could hold the strings better.

I had to think through the process. I could use a Dremel Tool for widening the Bridge Slots, but the problem with Power Tools is that, while they are faster, they also make irreparable mistakes very quickly. So I decided to use hand tools. I found an old hack saw blade. Hack saws are made for cutting metal. The particular blade I found was something of a compromise. It would make the slots a bit too wide for the little strings, but not wide enough for the fat strings, particularly the .65 B String that would be the new Low String.

I hacksawed the existing “Vees” down so that they now had square corners. The Strings could now settle into slots. It would be much more difficult to knock a string off the Bridge now. The hacksaw might have left some rough edges, and so I got Sandpaper and folded it and ran the sand paper into the groves. For the wider slots, I folded the sandpaper around an old fingernail file. I used sandpaper from 80 grade to 220 grade. The metal had to be smooth, or the strings might be damaged. I’m an old man and so I used a jewelers loupe to see with magnification, to make sure the sizing and the smoothness was just right, but younger people would probably just ‘eyeball’ the whole process.

After having done the Telecaster Nut, the Jazzmaster Nut was easy. I finished by using a thin stick and a Carpenter’s Pencil to rub some of the graphite powder ( a very good dry lubricant) into the Nut Slots, to make tuning easier.

The skinny strings had a bit of side to side play in the Bridge Grooves, but no problem manifested while playing. Just as I expected, by squaring the Bridge Slot edges and deepening the grooves, there was no longer a problem with knocking the strings off the bridge.

How did the Jazzmaster work as a Baritone?

Now the Telecaster, converted to “Bulldog”, was superb – nice clean round tones from low to high… what was left of high, which seemed to be plenty. So I did side by side comparisons with the Telecaster Baritone and the Jazzmaster Baritone. The Jazzmaster was a bit less ‘round’ but equalization could fix that. But the Jazzmaster does have the Tailed Bridge which makes those pretty, though somewhat unpredictable, flared notes (which is why Jazz Players seem to prefer Tailed Bridges). The both of them were so good – the Telecaster with the Humbucker Pickups, and the Jazzmaster with the shallow single sided pickups and Tailed Bridge, that there really was no choosing… not, on the basis of performance. I finally decided to make the Jazzmaster the Practice Workhorse because it had the Rosewood Neck, which doesn’t stain from hours of sweat and skin oils. Also, the Jazzmaster I have has those Dual Controls… you can set up for both Lead Guitar and Rhythm and switch back and forth. I rarely use it, except for when I play Deep Purple’s “Woman From Tokyo” which is hard-driving Rock except for a very pretty middle part… with the dual controls I can go from “Hard Driving Rock” to “Pretty” at the flip of a switch.

But, yes, both guitars are extremely better as Baritones.

Oh, when I used to play normal guitars, I tuned to E A D G C F instead of E A D G B E (it keeps the string intervals at Perfect Fourths, while the B E tuning, to bring those strings down a step, it only helps with chording for people with short fingers. Who know where that tradition starte?). With the Baritone ‘Bulldogs’ I keep the Perfect Fourth tuning – B E A D G C. But traditionalist Guitar Players, with short fingers who want to keep doing their old chords, well, they could tune to B E A D F# B… you would just have to transpose a little to get the exact chords you want, but the neck would still be the same…except for being a Perfect Fourth lower.

If in doubt about String Tension, consult the D’Addario String Tension Chart on their Website, or just do a Web Search for D’Addario String Tension Chart.